Art Installation at the Leper Chapel (Cambridge)

A break from our usual here, museums and a review of an art installation at the Leper Chapel in Cambridge. We will be posting about the Leper Chapel shortly. When we landed back from our recent trip to France we were walking along Newmarket road in Cambridge on a Friday night. As we passed the Leper Chapel we were aware of some form event on. As it transpired it was the opening night of the new art installation by Debbie Lauder and Anna Salamon.

Here are the two interviews with the artists in question.

Debbie

Anna

The work itself was made in the Leper Chapel with a mixture of earth and netting material. The artists attempted to integrate their work as much as possible with the building itself. The work was intended to invoke the history and culture involved with the Leper Chapel.

With the dark and bright materials in question along with the white interior of the chapel the idea of shade and differing lights was crucial. The exhibition was open during the day and the night. The contrast between the lights made for very contrasting images. On top of this with the change in light during the day, due to clouds etc. the concept felt as if it was continually shifting. By night candlelight offered some illumination but the shadows that the majority of the work resided in was enough to confound the usual senses of dimension.

Having listened to a podcast the week before on the mythologies of Avalon, one of the central pieces stood out within my mind. It seemed at first to be a flat scattering of sand / soil but as I stood above it this flat substance seemed to transmute into a more mystical and fathomless pool. The exhibition itself gave me an overall feeling of reverence and awe within a fantastic location.

I will be looking out for both artists in future and definitely looking forward to any further collaborations that occur.

Interview with Anna Salamon

Interview with Debbie Lauder

New Flickr Page and Interesting news

We have a new flickr page here, so you can see more of the places we have visited and reported on:  http://www.flickr.com/groups/puppyjourneys

We are going to participate with Localyte.com as you should see on our sidebar, to give you the reader more about the local areas you read of.

And Feedmill to help get our content out to more people around the web.

La Piscine, Roubaix, France

This wonderful old swimming pool has been converted into an art gallery.  The concept of having a gallery in somewhere beautiful is not new, why  destroy old buildings of cultural, historical and artistic appeal when they can be incorporated into the newer displays?  A local friend of mine, who lived in Lilles as a child, told me of her surprise to find the swimming pool she used as a child converted into an art gallery.

 

The gallery comprises of two exhibitions, the temporary and the permanent collections.  My big interest was in the swimming pool and so I only went to the permanent display.  This comprises of sculpture mainly in stone or plaster, porcelain, artwork of various forms and a textile display.

 

The gallery is quite big and is displayed amongst the original rooms.  The pool itself has been converted into the main display room.  The old shower cubicles to rinse off before coming into the pool are still in tact just in front of the pool.  The pool, itself, is lined on both sides by statues.  From the end it seems to be a line of women on the left a line of men on the right.  In the centre a strip of water has been kept.  With the original windows (from the 1930s), high up, remaining the light shines through in a fantastically beguiling red and orange glow.  It is very reminiscent of 40s / 50s style american glamour.

 

There is an incredibly detailed display upstairs (the old viewing galleries) of textiles.  Roubaix was famous for its textile industry of which there is a fantastic map-like painting of the region upstairs.  For my personal interest I felt there were too many of the fabric swathes but on the other hand, I suppose, acting in its role of museum of the Roubaix tradition this information should be preserved.  There is also a fantastic display of clothing and fashion down through the ages and a tactile display of cloth and the differences between materials.  Downstairs a small display has been hosted for local youth designers, showing that the Roubaix tradition is not dead.

 

The majority of the left wing downstairs consists of materials art, such as glass, clay etc. with a mixture of paintings thrown in.  There is also a porcelain collection there too.  The rear of the gallery comprises of sculptures while the right wing is mainly portraits.  At the bottom of the swimming pool to the right lies the remainder and the majority of the paintings.  Their is a fantastic mix of artwork well presented and laid out.

 

Many of the original features are still present, such as the shower cubicles and some of the hot bath rooms.  A fantastic room to look out for is the shop and the original boiler still in the background, no longer accessible but still visible.  The shop itself is very well stocked and has some very interesting books on art, even for the non-art disciple (such as myself.)  It is a pay-in museum and some of the most interesting and well presented art in the original layout is not accessible by wheelchair.  Having said that the remainder of the museum is wheelchair accessible and also sports a magnetic hearing aid.

All in all it is well worth a visit, to see great art in such a fantastic, local and cultural environment is astounding; let alone the depth and increase in beauty it lends the works itself. :-)

Address	23 rue de l'Espérance, 59100 Roubaix, France
Website	http://www.roubaix-lapiscine.com/index.php
Telephone	(0)(0033) 320692360
Cost	Permanent Collection: > full fare: 4, 50 € / reduced fare: 3, 50 € Temporary Exhibition: > full fare: 4,50 € / reduced fare: 3, 50 € Check here for reductions or free fares
Opening	Tuesday to Thursday 11:00 am – 6:00 pm, Friday 11:00 am – 8:00 pm, Saturday & Sunday 1:00 pm – 6:00 pm
Public Transport	By train: Roubaix Train Station By subway : Line 2, "Grand'Place or "Gare/Jean-Lebas" station. By bus : line 25, stop at «Musée Art et Industrie" or "Gare/Jean-Lebas".

Belfast next week so be prepared, we will be live

Next week me and Zoe with my parents in law will be off for a week in Belfast.  This will be a sight-seeing and cultural tour.  Expect regular mini-updates on here and maybe short clips, flickr pics will go up too.  On top of that we will be filming it and the idea will be to release a video diary of the trip.  Where online we don’t know yet, if you have any ideas get in touch and let us know?  Any suggestions what we should do let us know!

Twittering this all next week so check out my twitter account at http://twitter.com/clanravencub.  On a slight aside to everyone interested in the culture or history of Northern Ireland the new drama from BBC Best: His Mother’s Son is fantastic

Cambridge and County Folk Museum, Cambridge

Today Caoimhín and I visited the Cambridge and County Folk museum which is situated on Castle Street in Cambridge city centre. This is a private museum separate from the university run by a very small core team and  large number of volunteers. The more intimate setting of the museum and the warm atmosphere within makes it a refreshing change from the, at times, slightly more imposing university museums.

The museum is housed in the  old White Horse Inn the earliest parts of which date back to the late 16th century. The inn was run by from 1901 up until 1933 and was transformed into a museum in 1936 in an attempt to preserve fast fading ways of life for the education of the generations to follow.  The building itself is made of wattle and daub and within the shop a small display of this has been made.  Winning points with us on one of our crusades – museums that recognise their own structures as history.

The museum is mainly separated into displays partially relating to the different areas of the building that is the bar, the kitchen and partially by aspects of Cambridgeshire such as the University and the  Fenlands.  The Bar, which is the first display you encounter upon entering the museum is also one of the best displays within the building. In  the corner of this  room is the original bar of the  White Horse Inn complete with barrels, glasses, jugs and even an old sugar loaf. This is the area of the museum which I think has stayed most true to that original ambition to preserve a snapshot of life for the future and a fantastic snapshot in time it is. This is an extremely rich and display with fascinating little details – don’t miss the 1937 graffiti on the glass panes at the front of the bar for example.

The second half of the room is a hodgepodge of pub treasures such as a collection of clay pipes and my own personal favourite the old pub sign. Extending into the snug area is a random set of displays including a  display of the earliest Hoovers. The one criticism I would have about these displays is that although the the theme begins consistently with the Inn display, this tails off as you pass through into the snug and while some things are clearly identified and labelled others have been not. Both the inconsistency of theme and a persistent lack  in labelling articles crop up at times in other displays throughout the building and is what I  must call one of the only flaws in the museum.

Travelling onwards you pass into the kitchen, which I personally love, due to the sheer  quantity of items lain out where ever possible as they would originally have been. The objects on display range from an example fireplace, table and nearly every kitchen implement imaginable. A wonderful progression can be seen from the eighteenth century up until the 1930’s with the first electric irons, and early refrigerators beginning to appear. The display does show the huge amount of effort that cooking cleaning and simply running such a large area must have took even with all the mod cons of the day-  watch out for an early washing machine.

Overall the museum is very child friendly with the kitchen table in the centre of the room usually having some form of look and touch display. The child friendly aspect is repeated in other rooms of the house where possible and gets a big thumbs up.

As you progress onwards from the kitchen what will be a problem for some becomes apparent in that the rest of the house is navigated via narrow spiral stair cases and narrow passageways. While there is access to the upper floors by lift this aspect of the building and the fact that you often  have negotiate a step while moving  from room to room in these  narrow areas can make things difficult for wheelchair users. Upstairs the themed aspects of the house slip away to a certain degree although fascinating items are to be found galore. I loved the old linen press seen upon entering the university display where freshly washed linen was stored to keep it neat. Interestingly in Ireland cupboards are often still referred to as presses making me wonder if this is the originator of the phrase. Once again there are artefacts on display although this time behind glass and there are also quiz questions laid out for children.

Naturally any depiction of Cambridge must include life with the university and  the folk museum does so with an interesting if extremely bitty display. I must regard the university display as one of the most inconsistent within the museum. There is a reasonable amount of information depicting the university from its  founding including the religious influence and  the ongoing town and gown issues however the display jumps from one picture of the university to another; for example it discusses how the students of the university were incredibly poor and yet another board describes how there were only six labourers sons in the university and the remainder being wealthy men during a similar time period. In the same way the town and gown rivalry and the issue of women within the university flit back and forth between various depictions almost as though the writers can’t quite decide upon their own personal opinion of the university. While containing some interesting artefacts such as old maps and manuscripts the display really suffers from a lack of overall shape and focus. The  room does also contain a very interesting apothecary display however the WW2 display looks a little.

Other rooms in the house contain a very interesting display of crafts, most of which have died out in the last hundred years or more, within Cambridgeshire and returning to the household theme a child’s room. The child’s room displays a beautiful collection of dolls some old examples of cribs and a perambulator (circa 1895). While interesting this room is very bland unlike the bar and kitchen downstairs and to be honest was a bit of a disappointment to me.  It showed many of the standard dolls and items but failed to enlighten me on the particular character of childhood in Cambridge. The crafts display while still interesting similarly did not contain quite  so much of the vibrant atmosphere found downstairs. Overall these displays could really benefit from a bit more shape and a better balance between the artefacts on show and the information provided.

In contrast to the rooms aforementioned and of fantastic interest is the fenlands exhibition.  This display shows various aspects of fenland life ranging from the practical to folklore and superstition. It contains everything from farming equipment to shoes and a beautiful little display on different remedies such as moles feet to help with rheumatism and 18th century witch bottles buried outside a house to keep it safe. This is a lovely display of rural Cambridgeshire and life without the university domination experienced within the city centre. With suitable display boards it mixes treasures and information in a good balance

Finally the attic contains a lovely exhibition of children’s toys from the Edwardian era up until the 1950s. This is a far more lively display than that shown in the children’s room and I think it surpasses the children’s room in what it was aiming to convey. Helping the atmosphere a lot is the fact that this is the most spacious area in the museum with a box of replica toys for children to try out for themselves. There are some fantastic examples of old dolls houses and a Punch and Judy set that may bring back memories for many visitors. This room recaptures the energy that shone through in the bar and the kitchen that had become a bit lacklustre in some parts of the upstairs area and is a must not merely for  those that have children but for all visitors.

Not to be forgotten downstairs besides the shop (which is a veritable treasure trove  in its own right) the museum holds a temporary exhibit   currently on photography with examples of early cameras and pictures up to and throughout the second World War. These temporary exhibits are rotated regularly as indeed are some of the artefacts in the permanent displays meaning there is always a reason  to go back for a return visit.      

The Folk Museum is situated at 2/3 Castle Street in Cambridge city centre. It is very easy to get to and as you are right  in the middle of the city there are plenty of pubs and restaurants nearby should you require a drink or a bite to eat upon leaving the museum. The museum is open Tuesdays to Saturdays 10:30 to 5 and Sundays 2 till5. It is normally closed on Mondays but is one of the few places open on Bank Holiday Mondays. There is a £3.50 admission fee for adults, £2 concession fee and £1 for  children.  There is a policy of  One child free per each paying adult. If you join the friends of the folk museum and association group you also get free access to the museum from then on. For more information about the museum it has an extremely good website http://www.folkmuseum.org.uk which in addition to the usual about the museum, opening hours and so on also contains a virtual tour of the bar, kitchen and yard. Despite some obvious constraints (you can’t actually move around so you can only see what is in the direct vicinity) this is still a fantastic idea and it would be nice to see it developed to include some of the less accessible rooms.

Over all the Folk Museum is a nice little museum with a refreshingly modern attitude towards rotating exhibits and using modern technology such as computers within the museum and  its up to date website. Despite the little inconstancies here and there this is on my favourites list and I would definitely recommend a visit.    

Address	Cambridge & County Folk Museum, 2/3 Castle Street, CB3 0AQ
Website	http://www.folkmuseum.org.uk/
Email	info@folkmuseum.org.uk
Telephone	01223 355159
Cost	Adults £3.50 Concessions £2 Children £1 One free child with every full paying adult
Opening	Tuesday-Saturday & Bank Holiday Mondays 10.30am - 5pm, Sun 2-5pm.  Last admissions at 4.30pm

The House of Kettle’s Yard, Cambridge

Busy day today, first Kettle’s Yard House as its normally called (I just wanted to make sure no-one confused this review with that of Kettle’s Yard itself.), then off to the folk museum around the corner.

Kettle’s Yard I will review at a later time, my first concern here is the museums of Cambridge.  To point out though Kettle’s Yard is fantastic Modern Art galley and very welcoming and part of the community.  It has grown gradually since its first opening and plans to continue with that growth.  Part of the complex (of a sort) is the church connected to in the same lane.  This is the famous Cambridge St. Peters, the key to which is available from Kettle’s Yard for curious visitors.  Famous for its mere-man font.  And I will go into that more at a later time too!

The house itself is a unique time capsule.  The founders of the Gallery complex, Jim Ede and his wife Helen, first moved to Cambridge to renovate a series of four cottages on Castle Street.  Jim Ede had acted as a curator to the Tate Gallery in London, preferring to be known as a ‘friend of artists.’  To this end he gathered all forms of art, sculpture, furniture and natural curiosities.  In the 60’s the house and its contents were given to Cambridge University, who still run Kettle’s Yard today.  In 1970 the exhibition gallery, the main wing of the present complex was added.

The first little cottage building downstairs, as you enter, as Zoe put it  resembles a gran’s cottage.  Out of time.  Seasidey.  Quaint.  Picturesque.  Yet nothing remarkable that would truly strike a chord as to being anything peculiar.  The paintings, two in my opinion, do stand out fantastically.  There are some treasures I found in the house which reside right in that small few rooms, a wireman in the first bedroom attached to the blinds and the light switch fittings which each of have small picture behind them.

Upstairs, which is the largest area hosts the library proper, which is specially stocked about the collection, as well as art in general.  There are many plants in the windows as well as lots of glass engravings and furniture to catch the eye.  Another one to watch for are the Japanese silk light hangings, the silk now decayed I believed them to be bird cages at first, one hanging just above the plants.  Well over one hundred years old.  One of the two grand pianos is here and every so often plays a piece from Orlando Gough or David Ward.

The upstairs attic is a floor full ok sketches and is such a fantastic setting for such a cosy small display.  Downstairs the new addition, I believe, is a wide open gallery, many paintings and sculptures and the other grand piano.  My pick for the gallery is David Jones.  Whose paintings grace the entrance building and just above the stairs to your left, some of his books are in the book shelf to the left from those same stairs.  His work is incredibly detailed and multi-layered.  With many of the details incredibly hard to spot as part of the wider picture until the smaller subjects are examined as individuals.

If you consider the house itself one big final work of art you would not be far wrong.  There are many curiosities in the building.  As I heard it described, “a time capsule” and so it is.  For art lovers it shows a collection of art, a permanent collection, of modern art.  Modern art of the 1920’s – 30’s with some pieces stretching to the 50’s.  This is a museum to modern art and traces some of its roots.  In particular some fantastic pieces from local St. Ives movement.

While it may be tempting no touching of any objects is requested.  Having said that there are some very unusual features to the museum.  You may sit in any of the chairs, not the beds; and you may peruse through what books you find, do not however replace them at the library rather place them on the table to be re-shelved.

The House is not very accessible for the disabled, as it is as was.  The downstairs gallery is accessible by wheelchair but it is advised to contact ahead so that you can be accommodated as much as possible.  The museum is fitted with a loop system for those hard of hearing and a special pack including Braille maps is available for the visually-impaired is available.  All large bags are to be left by the door, no phones are allowed.  Personal photography, no flash, is allowed for a two pound initial fee.  The museum itself is free in and supported by donation.  Their website is full of fantastic information about the Yard and about the House itself.

I had heard much about this house, a house of curiosities I was told, but nothing could prepare me for the sights I beheld.  Kettle’s Yard house is a treasure trove of art and visual delights.  It is a place of wonder and makes one ask the question, what would it be like to sleep in one of those two little beds and live in a work of art?  Truly Kettle’s Yard House is an experience anyone visiting Cambridge would be foolish to turn down.

 

Address	Kettle's Yard, Castle Street,  CB3 0AQ
Website	http://www.kettlesyard.co.uk/
Email	mail@kettlesyard.cam.ac.uk
Telephone	01223 748100
Fax	01223 324377
Winter Opening	Tuesday-Sunday and Bank Holiday Mondays 14:00 – 16:00
Summer Opening	Tuesday-Sunday and Bank Holiday Mondays 13:30 – 16.30pm

Museum of Zoology, Cambridge

Last Friday me and Zoe visited the Museum of Zoology followed by the Whipple Museum of History of Science. Both just around the corner from each other.  We will give you a review of the Whipple Museum soon.  Below is quite a large review but as there are so many interesting elements to the museum I can’t really do it any less justice.

The Zoology museum is yet again another of Cambridge’s free museums and is part of the universities.  In this case it is also used as a teaching resource for the university and some of the classes are held here.  Downstairs one of the exhibit rooms doubles as a class room.  It is good to see this because if it can be used to teach in its material and displays must be current and of a high enough standard.  On top of this it means that there is a greater likelihood that it will be rotated and serviced regularly.  Of which it is. Photography is encouraged, even video recording so long as a tripod is not used.

The museum is in the New museums courtyard, which is just off Pembroke Street but easily missed, when you enter the courtyard however the whale makes it very obvious where to go, just ahead and to your right.  As regards accessibility there is an excellent ramp system and even easy open doors at the front entrance.  The bird display however, within the museum, only has stair access so this gorgeous display will be inaccessible to some.

The museum is listed as an architecture attraction in Cambridge from the tourist office due to its stereotypical blocky 80’s image.  That and they have a whale visible on the first level.  Behind the glass of the upstairs They have a collection of whales hanging – so even when closed these large displays can be viewed by walking along the outside of the glass upstairs. The front entrance is large and glassed so easily seen and seen into even when the building is shut.

There is a fantastic attempt, applied to the upstairs exhibits in particular, at tying the exhibits in to real world and human affairs and this.  That is to say explaining how certain animals live in the world and our relationship with them as opposed to some zoology museums that prefer a wholly scientific attitude.

Near the entrance is an information hub.  It acts as an information hotspot, a showcase for exhibitions and news, and a centre for the great youth activities that the museums promotes and runs.  There is a suggestions and ideas board there as well, if you are going please take the time to add your ideas as this is how places can improve.

 As a zoology museum it comprises of a mixture of display types – fossils, specimens in jars, skeletons, dried animals as well as stuffed animals.  On top of this there are a few recreation of dinosaurs and the like upstairs as well as two very beautiful bird dioramas downstairs.  The mix of differing displays is best used upstairs where themed displays – such as frogs mix a variety of models giving a person a nice varied view, rather than an endless sea of jars.  In this way the person takes in more more easily.  Downstairs however has less of this variety and is comprised of larger cases with skeletons primarily with some stuffed animals.

Definitely the most beautiful display is the bird collection on the stairs down to the basement floor – important to note for those like my mother with a terror for birds.  It has a very nice painting of bird above it and a small collection of nests as well as some skeletons but the majority of the display is taken up with stuffed birds with their varied and colourful plumage.

 The upstairs has a wonderfully spaced set of displays where a lot of information is displayed but in between enough space to comfortably take everything in.  The buildings lighting compliments this and with the overhead large windows letting in a lot of room at roof height but blocking vertical sunlight there is no glare on the glass cabinets but always well lit and airy building.  One of the corridors downstairs was very dark as some light bulbs were blown, it has to be said.

One of the things I particularly liked about this museum was the way in which it charted its own history.  There are plenty of signs and boards illustrating what the museum was about, how it came to be and also some of the particular exhibits – such as the Whale and how it got to be there.  It is to be noted unfortunately that this trend is not continued throughout the rest of the museum.  But it is head and shoulders above most museums in recognising its own place in history and chronicling it.

On top of this one of my favourite displays is a case showing the inner working of the bigger reserve collection.  This case showed how the old collections in old wooden framed boxes have been replaced into newer metal casings.  This ties in with one of the great figures of the Museum, Darwin.  His personal collections, for example of beetles, have been saved from destruction in this way.

Another massive positive for me was the British Bird Display, while it was tucked away it did have a good thorough display of the birdlife that is common to these shores and all too common museums lose sight of displaying what is native.  The museum, on this point, has a beautiful front entrance display of weird and wonderful displays.  *It is a feast for the eyes and definitely shows that the museum is aware that its purpose is not only to educate but to entertain.  And by entertaining more people will come by and learn more.

As I said earlier about charting its own history, at time of posting a special exhibit, which the museum regularly changes and shows new special exhibits, there was a special display on Darwin and a nice collection of his specimens from his trip aboard the HMS Beagle.  Darwin being so influential to modern science and culture but also to the growth of the museum as well.

I do have a few small criticisms.  The dioramas are beautiful and very well constructed but some form of key to them would have been helpful.  Without these one can only guess as to which birds are where. While its nice the museum is used as a teaching resource, it means that the primates display is shut off from the public, with no idea when it can be available.  A sign to let the public know when the room is open would be handy.  Opposite the bird display is a strange display on feet it seems, without an overall labelling its not clear what the exact purpose of this strange little collection of exhibits are.  I can understand that opposite such a beautiful collection as that of the birds you would rather not put something that should not be overlooked but is it really worthwhile putting in such a weak collection.  Maybe a display board or two about the overall theme would help strengthen this display.  On top of this while individual displays were very well themed and ran well together there seemed to be a lack of an overall plan; if there were signs indicating where things were, or a plan doing this it would have helped greatly.

As a final hoorah for an inside look see the BBCi 360 degree panoramic photographs.

Details for the Museum are as follows:

University Museum of Zoology Cambridge

Address	Downing Street Cambridge, CB2 3EJ
Website	http://www.zoo.cam.ac.uk/museum/index.htm
Email	umzc@zoo.cam.ac.uk
Telephone	01223 336650
Fax	01223 336679
Monday – Friday	10:00 – 16:45
Saturday, Sunday	Closed
Summer Saturdays	June - September, 10:00 – 1:00

Museum of classical Archaeology, Cambridge

Today we visited the Museum of  Classical Archaeology in Cambridge.  It resides in Sedgwick Avenue part of the Classics department of Cambridge university.  It is a little off the beaten track just beside Darwin College.  It is fifteen minutes walk or so away from the rest of the university museums.  But only five ten minutes away from the market at city centre.

The building itself is classic 1970's-80's architecture and has an old  polytechnic feel of college about it.  It is a very nice establishment and the cosy feel of it adds to the nature of this small museum site.  The unprepossessing state of the building adds to the warmth and welcoming culture that the museum fosters.  They hold regular opens for children and there are plenty of chairs laid out for anyone wishing to sketch or other forms of art, which is encouraged, to be used.  Another welcome change to a museum is the permission to take photos.  To be fair it is understandable in a lot of museums but due to the fact that the material can't be damaged by flashes it is possible.  The staff, one of which was present was very warm and helpful.  And to be honest it is a great environment to come in sit down and enjoy the paper early in the morning surrounded by fantastic cultural backdrop.

On to the contents, which some would argue is the whole point. It is a museum of sculpture, all of which  are replicas, if not all.  All of which being of the classical periods.  There are works from Greece and Rome.  Most of the works are plaster-cast replicas but some are also Bronze casts as well as a single wooden scale model or a trireme.  In total there are four hundred and fifty casts in the purpose built gallery.  Some of the highlights include the Farnese Heracles, the Sounion Kouros and Olympia Pediment.

 

This is one of the last museums we have yet seen in Cambridge and it is well worth a view as it has a nice cosy and warm, personal atmosphere.  The unpretentious nature allows relaxed easy viewing for all.  It is predominantly for most people an museum for art, those classical scholars - such as Zoe - will enjoy the history as well as buffs on mythology, such as myself, will particularly enjoy seeing visual representatives of those myths.  The single room is decorated in nice warm bright colours, has very good lighting, is a warm building and a very clean museum. The museum is jam-packed with exhibits without anything else, other than chairs, so this spartan nature helps, in our opinion, to further enjoy without any hindrance the works themselves.

It is particularly nice to see large works of a culture, such as can be seen within the downstairs of the BM, here in a way that visiting and local people can enjoy the works of the Classical world without having to travel.  Yes all of the pieces are replicas but a lot of people will be unable to travel and see all of these pieces together, here they can!

On speaking of the BM it is important to note that while Cambridge's Museum of Archaeology is smaller and contains replicas, it does clearly label and denoted every object within for its name, period, subject matter and sometimes additional notes. This is a fantastic and basic requirement for a good museum this is sadly lacking too often, in particular amongst a lot of the larger museums, that we tolerate!

On a small aside, it is a small establishment and there are no refreshment facilities, disabled / pram access is more difficult than other places and the toilets are part of the college building.

 

 

The entire catalogue of casts can be found here.

Details for the Museum are as follows:

Address	Sidgwick Avenue, Cambridge, CB3 9DA
Website	http://www.classics.cam.ac.uk/ark.html
Email	jd125@cam.ac.uk
Telephone	01223 335153
Fax	01223 335409
Monday – Friday Saturday Sunday	10am – 5pm 10am – 1pm Closed

This Blog

This blog will be used to "chronicle" Zoe and my travels and observations of the world.  Little bits and pieces will be put in here - culture related, history related and culture related.  As it grows hopefully we  can add to the shaoe of it. :-)